Agathe Berjaut | Muses of Now
Amidst a present drenched in digital perfection, Agathe Berjaut speaks a different language: one of tactile memory, intuitive color, and intimate documentation.
The French-born multidisciplinary artist, now based in Norway, has long captured our imagination since we first encountered her visual diaries—with her analog collages and photographs capturing the poetry of daily life in ways that feel both timeless and deeply personal.
Her work invites us to slow down, to notice what others might overlook, revealing how the most profound stories often exist in the spaces between words.
It's this celebration of nuance, this devotion to craft, and this effortless mingling of strength and vulnerability that continues to inspire us…and that
we were excited to discover in our conversation with Agathe from her Atelier in Oslo.
We're drawn to the way you use color in your work - both bold and delicate. How do you think about color in your daily life, from getting dressed to setting your table to decorating your home?
Color is a nuanced language—you either speak it or you don’t. I am naturally drawn to colors; they are deeply connected to sensory memories, art history, and energy. I have always surrounded myself with color—both in my work and in my daily life. This became even more important after moving to a Nordic country where the lack of light is the greatest challenge. Using color is my way of carrying sunlight with me and a way to recreate solar energy.
What's a ritual in your daily life that feels essential to your wellbeing?
Taking time each day for my daughters—a cuddle, a conversation, dinner together, a walk. A shared moment every day to make sure they know how much they mean to me.
How do you approach getting dressed, and are there pieces you always return to?
I’ve worked as a fashion designer for many years, and I see dressing as another way to tell stories about identity—a projection of the soul into the world. I love playing with masculine pieces to balance the feminine.
What's a piece of advice you received early in your career that you pass along to others now?
Don’t lose your sense of wonder and always strive to find your voice.
Your work balances strength and softness—does that duality show up in your daily life?
I think I am quite raw and intuitive emotionally. Strength and softness are always at play, but I don’t consciously think about it—it just happens as I let go. My work is eclectic, layered, and shaped by these different voices.
Is there a meal or dish you make that bridges your French roots with your life in Norway?
I still cook quite French, mostly following family recipes. But maybe adding dill to French onion soup is the closest I’ve come to a personal Nordic-French fusion.
What’s a recent discovery in Oslo that's become part of your regular routine?
I love a place called Babbo in Oslo, where I often go for breakfast with my girls. It has a relaxed, continental flair—simple, really good food at a fair price. When I’m there, I feel transported. The owners have also opened a bakery called Frida, which is worth a visit.
Has a book, film, or artwork recently captivated you or inspired your work?
I completely fell in love with The Colors by Abbas Kiarostami (1976). No doubt, it will inspire an upcoming project.
What's something you're currently learning?
I’m a curious person, always eager to learn. Two years ago, I went back to school to study analog photography. Now, I just want to perfect the craft.
SHOP AGATHE'S LOOKS